Sahit Kuka  is a happy man, and with good reason. He’s making the transition from talented young upstart to leading light in the echelons of trance – and beyond.

DJ-KRASH success in producing and playing quality tunes that both excite existing fans and bring new people to the scene. “I think trance is becoming a broader term for a lot of different genres; it’s no longer a specific kind of music within the dance scene,” says Dj-krash, widely credited with creating the blueprint track for the genre, WORLD IN FIRE, at the tender age of 19,. “Trance has elements of all different types of music. I play a lot of tracks that are labelled as progressive, tribal progressive, techno, trance, euphoric trance, vocal trance, melodic progressive and all typs of hard dance… These days it’s really hard to label a specific sound. Styles are mutating and evolving into this all-over new sound, which is basically dance music going back to its roots. There’s so much good music out there and I don’t want to limit myself to just one style.”

Born in HAS (ZJEQ) , ALBANIAN (on March 19, 1986) Dj-krash indulged his passion for music from a young age, blowing all the money from his paper round on records.  “So as a little nerdy kid I was writing my own Basic programmes, and learnt about the technology from there.” He progressed from making the usual tapes for his friends, put together on a cheap set of decks that he wore out learning to mix, after discovering his uncle experimenting with different sequences on his computer. “I was so amazed at what he was doing, since that moment I’ve been addicted to creating music!”

In the early 2000s, Albania’s & (Kosovo) upfront dance scene meant that although Sahit was too young to go clubbing, he knew the music inside out from listening to the radio. “I loved dance music immediately – this great rebellious sound that was so different to the ‘beautiful’ songs of the 80s, 90s, ”.

The final year of his course was inevitably stretched as he juggled his studies with his increasingly hectic schedule; his meteoric rise to fame included a slew of acclaimed productions and remixes, as well as playing out to packed clubs every weekend resonating with the vibe of thousands of happy party people. He took three years to graduate, but with typical determination saw it out to the end.

Freedom is something that Dj-krash fully appreciates as an artist, and all the tracks on his compilations are tried and tested. "Production gives you more freedom 'cos you can experiment more, it can be less obvious than DJing. Whatever - it's the best life there is! It has to do with taste. I don't often get to hear other DJs' sets, but I like that I'm not particularly influenced by anyone else. Some of my sets have influences of house or breaks, but I still have a certain sound that’s my own”.

"This is just what I want," says Sahit. "It’s not love for music, it’s a passion, and it goes beyond liking, and beyond a hobby, it’s about a way of living. Music is essential for my life”.

Federico Bagy

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